05-12-2017, 21:56
I've started a new thread as the contents may be of wider interest than where this started (processing power needed for BubbleUPnP):
Serge said
"Hi David, I have a question for you, off this topic. So either we start a new thread on Music Tagging in this forum, or we continue via PM if any interest.
My library is roughly the same size as yours. 4380 albums; 78k+ tracks. 240 are Dsf, the remaining in Flac. Various origins: my CD ripped, my SACD ripped, Qobuz, HDtracks, etc.
Now, my tagging is not perfect. Qobuz does propagate the tagging from the Label company, which is never very good. Some of my CDs are not well taggued. Because my tagging is not perfect, and I must apologies to Simon, I am not using all Simon's beautiful features, shame on me. Therefore I have decided that my structure would be purely 100% based on my file structure. So I have 11 top lever folders (Test - Renaissance - Baroque - Classique - XXth Century - Opera - Jazz - Pop/Rock/Folk/Electro - World Music - Chanson Française - Movie music; plus a very complex sub structure different according to the top level folder.
Of course it has drawbacks : I can't do a search easily, some parts are ambiguous (as an example, I have World Music - Oud with one sub folder for any Oud musician but some albums are really jazz. Or I have Renaissance - AliaVox then all Jordi Savall albums except the one for Bach, etc...)
Now my question : how do you manage yourself the tagging ? Have you been able, at that level to have a perfect tagging ? Have you followed some rules, such as for classical, the album tag should contain (or not) the composer. Are all your classical composer clean i.e. first name last name. Did you put all the performers in opera. Etc...
Sometimes I fear that the work of re-tagging my library would be enormous; specially that I don't allow my Syno files to be visible on the network (only upload via SFTP)
Thx for the answers !
cheers
serge"
I guess most of us start off tagging by using what we inherit (e.g. metadata from CD originator), or set up a simple folder structure. The first point to make is that it is worthwhile spending a good amount of time researching whats available before making a particular file structure / metadata choice. Definitely so if you have just started your collection.
Like Serge I was well into collecting music (on LPs and CDs) before I even thought about this issue. My first encounter with a computer-based music library was (like many others of a certain age I'm sure) via iTunes. Today many feel that this is not an ideal basis from which to start, particularly as an iTunes user one is at the mercy of Apple's whims. However I've found that adopting just the library-curation functionality of the iTunes software I can do all I need whilst benefitting from the many hundreds of man years of software development put into it.
To answer Serge's questions I use the standard (Apple and ?others) simple file structure for storage: Artist/Album/Track hierarchy. All other detail is in the metadata. I wanted to keep the file storage as simple as possible. This made transition to storage of the music library on a NAS straightforward (something I had not contemplated when I started building the library). Incidentally if you wish to put an iTunes library on a NAS I very strongly recommend putting all the iTunes files/folders on the NAS i.e. the folder 'iTunes' and all its contents. This avoids any data corruption if for some reason the NAS becomes disassociated from the curating computer running the iTunes software.
I use the Apple 'genre' property extensively as a top-level option for selecting music to play:
e.g. Jazz-traditional, Jazz-mainstream, Jazz-modern etc
and Classical-early, Classical-baroque, Classical-classical, Classical-romantic etc.
For classical music I use 'Album' in a very specific fashion:
'Composer' - 'Work': 'qualifier'
e.g. 'Handel - Hercules: Arias'
Of course this format has to be followed consistently and accurately if sorting and searching are to work quickly and correctly.
Fortunately I chose this approach early on so the initial editing to this format was not too large, and now I edit every new album when I rip or download it. I wouldn't say my setup is perfect but it very rare that it gives me any problems. I use Doug's scripts to find lost tracks and regularly check for errors in the MinimServer scan log (Simon's checks throw up a lot of errors not apparent in iTunes).
David
Serge said
"Hi David, I have a question for you, off this topic. So either we start a new thread on Music Tagging in this forum, or we continue via PM if any interest.
My library is roughly the same size as yours. 4380 albums; 78k+ tracks. 240 are Dsf, the remaining in Flac. Various origins: my CD ripped, my SACD ripped, Qobuz, HDtracks, etc.
Now, my tagging is not perfect. Qobuz does propagate the tagging from the Label company, which is never very good. Some of my CDs are not well taggued. Because my tagging is not perfect, and I must apologies to Simon, I am not using all Simon's beautiful features, shame on me. Therefore I have decided that my structure would be purely 100% based on my file structure. So I have 11 top lever folders (Test - Renaissance - Baroque - Classique - XXth Century - Opera - Jazz - Pop/Rock/Folk/Electro - World Music - Chanson Française - Movie music; plus a very complex sub structure different according to the top level folder.
Of course it has drawbacks : I can't do a search easily, some parts are ambiguous (as an example, I have World Music - Oud with one sub folder for any Oud musician but some albums are really jazz. Or I have Renaissance - AliaVox then all Jordi Savall albums except the one for Bach, etc...)
Now my question : how do you manage yourself the tagging ? Have you been able, at that level to have a perfect tagging ? Have you followed some rules, such as for classical, the album tag should contain (or not) the composer. Are all your classical composer clean i.e. first name last name. Did you put all the performers in opera. Etc...
Sometimes I fear that the work of re-tagging my library would be enormous; specially that I don't allow my Syno files to be visible on the network (only upload via SFTP)
Thx for the answers !
cheers
serge"
I guess most of us start off tagging by using what we inherit (e.g. metadata from CD originator), or set up a simple folder structure. The first point to make is that it is worthwhile spending a good amount of time researching whats available before making a particular file structure / metadata choice. Definitely so if you have just started your collection.
Like Serge I was well into collecting music (on LPs and CDs) before I even thought about this issue. My first encounter with a computer-based music library was (like many others of a certain age I'm sure) via iTunes. Today many feel that this is not an ideal basis from which to start, particularly as an iTunes user one is at the mercy of Apple's whims. However I've found that adopting just the library-curation functionality of the iTunes software I can do all I need whilst benefitting from the many hundreds of man years of software development put into it.
To answer Serge's questions I use the standard (Apple and ?others) simple file structure for storage: Artist/Album/Track hierarchy. All other detail is in the metadata. I wanted to keep the file storage as simple as possible. This made transition to storage of the music library on a NAS straightforward (something I had not contemplated when I started building the library). Incidentally if you wish to put an iTunes library on a NAS I very strongly recommend putting all the iTunes files/folders on the NAS i.e. the folder 'iTunes' and all its contents. This avoids any data corruption if for some reason the NAS becomes disassociated from the curating computer running the iTunes software.
I use the Apple 'genre' property extensively as a top-level option for selecting music to play:
e.g. Jazz-traditional, Jazz-mainstream, Jazz-modern etc
and Classical-early, Classical-baroque, Classical-classical, Classical-romantic etc.
For classical music I use 'Album' in a very specific fashion:
'Composer' - 'Work': 'qualifier'
e.g. 'Handel - Hercules: Arias'
Of course this format has to be followed consistently and accurately if sorting and searching are to work quickly and correctly.
Fortunately I chose this approach early on so the initial editing to this format was not too large, and now I edit every new album when I rip or download it. I wouldn't say my setup is perfect but it very rare that it gives me any problems. I use Doug's scripts to find lost tracks and regularly check for errors in the MinimServer scan log (Simon's checks throw up a lot of errors not apparent in iTunes).
David